By Dorota Semenowicz
This ebook specializes in Romeo Castellucci’s theatrical venture, exploring the moral and aesthetic framework decided via his mirrored image at the nature of the picture. yet why does a director whose primary creative software is the picture deny this key conceptual notion? Rooted in his wide awake distancing from iconoclasm within the Nineteen Eighties, Castellucci usually replaces this inspiration with the phrases ‘symbol’, ‘form’ and ‘idea’.
As the 1st book at the overseas marketplace which provides Castellucci’s paintings from either old and theoretical views, this publication systematically confronts the director’s discourse with different suggestions concerning his creative undertaking. shooting the evolution of his theatre from icon to iconoclasm, be aware to photograph and image to allegory, the publication explores experimental notions of staging along an ‘emotional wave’, which serves as an animating precept of Castellucci’s innovative theatre.
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The Theatre of Romeo Castellucci and Socìetas Raffaello Sanzio: From Icon to Iconoclasm, From Word to Image, From Symbol to Allegory by Dorota Semenowicz
by Christopher
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