By Steve Larson
Steve Larson drew on his two decades of analysis in song idea, cognitive linguistics, experimental psychology, and synthetic intelligence—as good as his ability as a jazz pianist—to convey how the adventure of actual movement can form one’s musical adventure. Clarifying the jobs of analogy, metaphor, grouping, development, hierarchy, and emergence within the clarification of musical that means, Larson defined how listeners listen tonal tune in the course of the analogues of actual gravity, magnetism, and inertia. His thought of melodic expectation is going past past theories in predicting entire melodic styles. Larson elegantly tested how rhythm and meter come up from, and are given that means by way of, those similar musical forces.
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Extra info for Musical Forces: Motion, Metaphor, and Meaning in Music (Musical Meaning and Interpretation)
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Musical Forces: Motion, Metaphor, and Meaning in Music (Musical Meaning and Interpretation) by Steve Larson
by Daniel
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