By Daniel B. Reed
Ge, previously translated as "mask" or "masquerade," appears to be like one of the Dan humans of Côte d’Ivoire as a dancing and musical embodiment in their social beliefs and spiritual ideals. In Dan Ge functionality, Daniel B. Reed units out to find what is living on the middle of Ge. He unearths that Ge is outlined as a part of a spiritual approach, a sort of leisure, an undefined, a political device, an tool of justice, and a sort of resistance—and it will probably tackle a number of roles at the same time. He sees genu (pl.) dancing the most recent dance steps, co-opting well known track, and appearing in live performance with Ivorian gurus to wrestle sorcery. not just are the limits of conventional functionality stretched, yet Ge functionality turns into a method for supporting the Dan to set up person and neighborhood id in an international that's turning into extra religiously and ethnically various. Readers attracted to all elements of expressive tradition in West Africa will locate interesting fabric during this wealthy and penetrating book.
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Extra resources for Dan Ge Performance: Masks and Music in Contemporary Côte d'Ivoire (African Expressive Cultures)
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Dan Ge Performance: Masks and Music in Contemporary Côte d'Ivoire (African Expressive Cultures) by Daniel B. Reed
by Charles
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