
By Karlanna Lewis
...tell me the fantasy of a good
time, of the fan of a dotted skirt and what
we wore after, of the dancer’s hips and how
they decided the remainder of our lives, of what
Lucia the barista acknowledged after we positioned two
euros at the counter and requested her to make us
Gods.
(l. 2-8).
Karlanna Lewis' poetry has been defined because the embodiment of disappointment and love but in addition as weird and wonderful and actually specific. Written in English with the occasional Spanish notice for untranslatable emphasis, Lewis' paintings, either writings and drawings, is natural artwork. With titles starting from "Jeraldo with the Dinosaur Wings" to "Spanish Dancer at relaxation" to "Questions for a Merman" Lewis' poetry is whatever yet predictable. In her poems the reader unearths a wierd obsession with bicycles and occasionally miniature humans, but in addition a different realization to element within the paintings of flamenco. Having studied dance heavily for over a decade, Lewis skilled the flamenco of Spain, which spurred her to jot down those poems. Her heritage within the paintings makes her skill to narrate the intricacies of the dance either strange and delightful. In "To My Father the football Coach," Lewis writes
Pull me apart to teach me easy methods to capture a comet
in my naked arms and the way to show that comet into
the Spanish dancer made from the tide and of light,
& how she vanishes simply once we have been getting close
( l. 3-6).
Light and wonder and grief and longing are all interwoven in Lewis' poems, with their rhythm drawing the reader close to because the crowd attracts close to at an intimate flamenco tableau.
Read or Download Cante de Gitanas con Nombres de Luz / Songs of the Gypsies with Names of Light PDF
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Additional info for Cante de Gitanas con Nombres de Luz / Songs of the Gypsies with Names of Light
Sample text
Cante de Gitanas con Nombres de Luz / Songs of the Gypsies with Names of Light by Karlanna Lewis
by James
4.1